In her video collages, New York artist Rachel Rose interweaves historical recordings with her own visual material, combining voices, eras, and places to create collage-like moving imagery.

The artist, who studied art history and painting, has found her own distinctive visual language within the medium of video.

This catalogue documents the installation of her works at Kunsthaus Bregenz, whilst essays by Thomas D. Trummer, art historian Chus Martínez, art critic Claudia La Rocco, and curator Laura McLean-Ferris address the complexities of her works.

Published retrospectively after the exhibition, Rachel Rose at Kunsthaus Bregenz, Austria, 4 February – 17 April 2017.

English and German text.