This monograph is the first publication to present a comprehensive overview of Simon Evans’ unique artistic practice of the past 15 years.
Evans was long known only to a small circle of curators and artists. The book features essays that shed light on his oeuvre from an art historical and a sociocultural perspective. It examines Evans’ collage technique, his diaristic notes and mapping strategies as well as the influence of literature on his art and unconventional working method.
Included is a foreword by Elodie Evers and Jacob Fabricius, and a conversation between Simon Evans and Jacob Fabricius.