Bringing together more than 350 texts written between 1953 and 2016, this comprehensive volume (edited by Gustav’s long-time friend and curator Mathieu Copeland) establishes artist and activist, Gustav Metzger (1926–2017) as one of the most towering figures of the 20th century.
His interest in technology and science lead him to create such concepts as auto-destructive and auto-creative art—terms he coined with his manifestos on ‘Auto-destructive Art’ in 1959 and ‘Auto-creative Art’ in 1961. He put these ideas into action with artworks made to decay, desintegrate or change following natural processes.
It notably includes seminal writings such as his manifestoes of auto-destructive and auto-creative art (both 1961), his On Random Activity in Material/Transforming Works of Art manifesto (1964), The Possibility of Auto-Destructive Architecture essay (1966), his inspiring interview with R. Buckminster Fuller from 1970, The Artist in the Face of Social Collapse essay (1998), and his legacy manifesto entitled, Remember Nature from 2013, as well as art criticism pieces, political lampoons, and lectures transcriptions, deploying his multifaceted thinking.
All together, his writings allow a challenging reading of the contemporary (art) times as analyzed by one of his most discerning figures—a pioneering artist and thinker very early involved in environmental and societal issues.
Born in Nuremberg to Polish Jewish parents, Metzger escaped Nazi Germany on the Kindertransport, traveling to England in 1939. As a refugee in post-war Britain he became politically engaged, joining protest movements and becoming involved in direct action for nuclear disarmament (CND).