Published on the occasion of a new exhibition at Victoria Miro Mayfair, this new book follows a new series of Self-Portraits by the artist Chantal Joffe – accompanied by a new text by British novelist and cultural critic, Olivia Laing.
On New Year’s Day 2018, Joffe set herself the challenge of working on a self-portrait every day for the coming year. This daily practice – through personal lows and highs, in the shifting white light of a prolonged London winter and the savage heat of New York in summer – has resulted in a series of characteristically unflinching works.
Modest in scale, each is a depiction of the artist’s face or a full-length view, in her painting clothes or, occasionally, naked, titled with the date of its completion. The seriality of this display is immediately striking. Ordinarily, a single self-portrait, perhaps two, might be shown among a wider body of work.
Here, what is true of any single self-portrait – that in embodying their work, the artist invites speculation about their innermost thoughts – is amplified as paintings, ostensibly similar in appearance, are installed throughout the gallery.
Published on occasion of the exhibition, Chantal Joffe at Victoria Miro and Victoria Miro Mayfair, London (11 April – 18 May 2019).