This exhibition celebrates an extraordinary collection of drawings and prints by Paul Cézanne (1839–1906) that has been gifted and placed on long-term loan to the Whitworth by gallerist, collector, author and founder of Ridinghouse, Karsten Schubert (1961–2019).
This important act of generosity means that the Whitworth now holds the best collection of Cézanne works on paper in the United Kingdom, including a version of every print produced by the artist.
These works will significantly expand the research potential of the Whitworth’s important collection of late nineteenth-century French and Dutch drawings by artists including Van Gogh, Seurat, Gauguin and Pissarro – whose portrait of Cézanne is displayed in this exhibition.
This exhibition will be the first in the UK since 1973 to focus exclusively on Cézanne’s drawings and prints.
The exhibition also draws together other artistic copies: Marcantonio Raimondi’s copy of Raphael’s Judgement of Paris and, bringing us to the present day, Michael Landy’s Cezanne’s Bathers, Untitled (after Cézanne’s Large Bathers held at the National Gallery, London).
With a lead essay by renowned Impressionist scholar Richard Thomson on the significance of the loans to the Whitworth’s collection of nineteenth-century drawings and contributions by Elizabeth Cowling, Yuval Etgar, Christopher Lloyd, Rosalind McKever, Karsten Schubert, Colin Wiggins and Edward Wouk.